skeetrock wrote:PS-If you don't know how to properly tune and operate a sound system...you have no business in an industry BUILT around sound...by the Mixing Engineer's Handbook or something Jeez, FEEDBACK IS NOT FREAKIN' NORMAL PEOPLE!!!
Ahh if only it could be so nice. Unfrotunately, very few KJ's out there have ever touched a board or any other pro-audio equipment before getting into business. Just this past weekend I had a fellow KJ who was at one of my shows comment on how he couldn't believe that I have a 20U rack filled with equipment for my shows. He was particularly enamoured by my EQ equipment (2-Single Channel 31 Band, 1-Dual Channel 15 Band). All I could say to him was "Have you heard any feedback on my system", his answer was of course "no". What really floored him was when I took a Microphone and stuck it 2" from the stage monitor and got nothing.
While I understand your frustration, it is unfortunately the nature of the beast. Most folks that have pro-audio engineering skills are much more interested in production for bands. Most KJ's seem to feel that since they attended shows they can just jump in and do this themselves. Very few that I know of actually put the time in to learn the ins and outs of their equipment and the basic concepts of audio engineering. Personally, I don't let this upset me though. As you have noticed, there's a definite competitive advantage to be gained here.
Back to the topic at hand, I do have to say that in the realms of hosting software you don't necessarily get what you pay for. Personally, I use the KJ Amp plugin. Why? Not because I care about the price, I budgeted $400 for the hosting software. I tested 6 different packages (most that I found mentioned on this board) and found it was the easiest for me to use and the most stable. I had problems, like you noted, with many of the packages I tested. Others lacked features that I wanted (song list management, inline song replacement, etc). The fact that it's an open source package for me was just icing on the cake.